By Jung Woo Bae in the Interfaith Connections issue. I blow the pitch pipe on the key of A-flat, and, almost instinctively, the four of us huddle closer together, forming an intimate circle. As the A-flat gradually dissipates after a few seconds of held uniformity, the bass starts humming his first note, the baritone follows with his, and the tenor concludes the neatly stacked chord.
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